The EVS LSM XT [2] supports multi-channel ingest and synchronised play-out. It was originally developed for the extreme and fast-paced environment of sports production and has since become the de-facto system for workflows in any live or near-live environment including studio broadcasts.

Our EVS servers are supplied pre-configured with 1.5TB of internal RAID storage (30 hours recording at 100Mb/s) and all software options enabled.

Features include:

HD Super Motion
Gigabit EthernetEthernet: A protocol for connecting computers over a Local Area Network (LAN) 1.5Gb/s
SDTI network
Telestrator
Apple Pro-Res & Avid DNXHD CODECCODEC: An acronym of Compression, Decompression. A device or piece of software which takes one file or signal format and translates it to another with an ideally undetectable loss of quality

Supplied with 2 controllers, keyboard, tablet and pen, PALPAL: Phase Alteration Line. An analog video format with 625 lines per frame, used as the standard for most European broadcasters, and other parts of the world outside North America and Japan adaptor plus a choice of DigitalDigital: Information sent as a series of high (1) and low (0) signals separated by a fixed period of time. Signals formed of series of coded pulses (numbers) as distinct from continuous analogue signals. audio input or output via BNCBNC: Acronym for British Naval Connector or Bayonet Nut Connector or Bayonet Neill Concelman - a coaxial cable connector used extensively in professional television systems. These connectors have a characteristic impedance of 75? and are standardized by the IEC 169-8 standard connectors or D-Type to XLR Breakout cables.